BAPCR Conference 2020: (British Association of Paintings Conservator-Restorers)
Visit us at the BAPCR Conference 2020: “Tales Of The Unexpected” In Conservation on Friday 31st January 2020 at The Wallace Collection in London.Follow @blue_scientific
BAPCR 2020 is a one day conference organised by the British Association of Paintings Conservator-Restorers. The event is held once every three years, focussing on a theme.
The conference provides a platform for those working in art conservation and restoration to share and discuss considerations relating to their research and experience.
The theme of the 2020 conference is “Tales of the Unexpected”.
Tales of the Unexpected
New and unexpected discoveries are often made during the course of conservation; sometimes unusual for the artist or period:
- Unorthodox support or priming
- Surprising use of a pigment, medium or coating
- Non-original materials, coatings or additions by a previous conservator/restorer
As well as conservation challenges, sometimes these discoveries have significant implications in terms of art history and ethics.
Technical analysis is often part of this process, especially in museums and galleries. Imaging techniques such as micro-XRF mapping can help reveal and explain unexpected layers, changes in composition and artists’ reworkings. Scientific analysis can also provide information about the materials used, to inform decisions about the conservation process.
Discoveries about unusual materials and previous restorations can alter the course of conservation treatments (strategies, materials or equipment). To reach an appropriate ethical decision, it can be necessary for art historians, heritage professionals, stakeholders and sometimes even the artists themselves to collaborate and work together.
The conference will run from 9:30am until 6pm, followed by an evening reception.
- Hélène Dubois – Royal Institute for Cultural Heritage (KIK-IRPA) and Ghent University
Keynote Address: Conservation, Restoration, Research: The Unexpected Revelations of the Brothers’ Van Eyck Ghent Altarpiece
- Molly Hughes-Hallett – Hamilton Kerr Institute, University of Cambridge
Shedding the Centuries: The Rediscovery of an Early 16th Century Predella
- Emma Boyce Gore – KSH Conservation Ltd
When the Unexpected Becomes Expected: Tudor Portraits in Historic Family Collections
- Marta Melchiorre (speaker), Catherine Higgitt, Rachel Billinge, Marika Spring – The National Gallery, London
Integration of MA-XRF Scanning and Hyperspectral Imaging into Research and Conservation Activities at the National Gallery
- Jae Youn Chung (speaker), David Peggie – The National Gallery, London); Mary Kempski, Spike Bucklow – Hamilton Kerr Institute, University of Cambridge
Cracking the Dutch Painter Jan Van Der Heyden’s “Special Tricks”
- Miranda Brain (speaker), Jon Old – The Bowes Museum
Landscape or Portrait? Ethical Considerations on the Treatment of a Partially Cleaned Painting
- Rachel Turnbull (speaker), Alice Tate-Harte – English Heritage
- Sarah Murray (speaker), Barbara H. Berrie – National Gallery of Art, Washington, D.C.
Sometimes the Unexpected is as Good as Gold: Discovery of Gilded Elements in Tiepolo’s Bacchus and Ariadne
- Joanna Strombek – Stichting Restauratie Atelier Limburg – SRAL
Revealing Secrets of Louis Joseph Le Lorrain? Three Figures Dressed for a Masquerade
- Joyce Townsend (speaker), Susan Breen, Ian Warrell – Tate
Turner’s Unknown Portraits
- Rosanna de Sancha – The Royal Collection Trust
An Unexpected Product of the George Dawe Painting Factory
- Silvia Rita Amato (speaker), Maureen Cross, Professor Aviva Burnstock (The Courtauld Institute of Art); Koen Janssens (University of Antwerp); Joris Dik (Delft University of Technology); Laura Cartechini (CNR-ISTM, Perugia); Anne Michelin, Aurélie Tournié (Centre de Recherche sur la Conservation, Muséum National d’Histoire Naturelle, Paris)
Examining Édouard Manet’s Déjeuner sur l’herbe from the Courtauld Gallery Using Spectral Imaging Techniques
- Laura Raven, Erma Hermens – Rijksmuseum
Conception, Idiosyncrasy and Immateriality in the London Paintings of Matthijs Maris (1839-1917): Reinterpretation and Reassessing Treatment
- Francesca Secchi – Tate
A Brief Comparative Study Between Some of Tate’s Collection of Léger Paintings
- Professor Aviva Burnstock – Courtauld Institute of Art; Sarah MacDougall – Ben Uri Gallery and Museum
Beneath the Surface: intention and practice in the early work of Mark Gertler
BAPCR will be on Friday 31st January 2020 at The Wallace Collection in London. There are discounted rates for BAPCR members:
- BAPCR members: £115
- Non-members: £135
- BAPCR student members: £57.50 (limited availability)
To book your place, email BAPRCsecretary@gmail.com
The conference will be at The Wallace Collection in London:
Micro-XRF in Art Conservation
Come and see us at BAPCR 2020 to find out about micro-XRF mapping can be used to analyse paintings, and possibly reveal unexpected or hidden details!
Bruker M6 JETSTREAM
- Large area micro-XRF for museums and galleries
- Fast, non-destructive element mapping and analysis
- Convenient portable rig
- Scan vertically or horizontally
Blue Scientific is the official distributor of Bruker Micro-XRF in the UK and Nordic region. We’re available to answer all your questions – just get in touch: